![]() One could argue that here and there there’s maybe a little too much funny business, but one won’t. ![]() It knows it’s being silly and looks for every opportunity to be so. ![]() Their production is good looking in a flashy way and self aware. The chance to hear Peruvian tenor Juan Diego Florez and American mezzo-soprano Joyce DiDonato in the flesh provided special interest.īut the production team of Emilio Sagi (original director), Javier Ulacia (director), Llorenc Corbell (scene design), Renata Schussheim (costumes) and Eduardo Bravo (lighting) were hardly to be outdone. The cast included three young stars, two of them in their company debuts, who mostly delivered the sparkling goods. Rossini’s comedic masterpiece rarely fails to give pleasure, but this is something else, something extra. Los Angeles Opera’s latest production of “The Barber of Seville,” heard in its second performance Wednesday night at the Dorothy Chandler Pavilion, is a charmer and a dazzler.
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